We know that James Bond does not represent the reality of life as a spy, despite the more battered, world-weary spin Daniel Craig has given him recently. Why does this matter? This is Hollywood, after all. drives demand for inexpensive goods like clothes and electronics, some of which is made possible by the work of exploited individuals.įinally, moviegoers might have no idea that rescue is really only the beginning of an even more challenging process – assisting and supporting survivors in their recovery and reintegration into their communities. In fact, some traffickers are American, and the U.S. Viewers might also be misled into thinking that the problem is a foreign one, leaving them unaware of the role Americans play in human trafficking. Viewers might not know that men, women, boys, girls and transgendered individuals are all targets of human trafficking. Finally, in true Hollywood fashion, rescue represents the end of the story.Ī viewer might leave these movies unaware that there is more than trafficking for sex, that labor trafficking also exists and that it occurs in numerous industries, from agriculture and manufacturing to restaurants and hair salons. The Whistleblower offers a more nuanced picture with both an American hero and some Americans involved in the exploitation. The movies depict Americans as heroes, and “others” – Albanians, Arabs, Russians – as villains. 20th Century FoxĪll three films portray only sex trafficking of young women and girls. The Human Traffic 2 Team are offering investors a range of exciting benefits from executive producer positions, through to the option to appear in the movie as an extra.Rachel Weisz in The Whistleblower. “ It was an amazing experience to make ‘ Human Traffic’ – It was a rush to bring the Rave scene to the cinemas whilst I was still young knowing there was an audience out there in my culture that no UK financier understood – and then to see how well it was received by the people – was really amazing.”įor Human Traffic’s legion of fans, the independent funding vehicle presents an incredible opportunity to play a part in bringing the project to life. With a desire to tell his story free of creative restrictions, Justin and his team arrived at the decision that crowdfunding would be key to bringing the project to life. “I’m having to raise the budget against the backdrop of a pandemic and one of the biggest financial crises in history.” The 47-year-old though, is under no illusions about the scale of the challenge at hand. Human Traffic 2 is as relevant to today as was relevant for its time,” explained Kerrigan.Ĭonsidering COVID-19’s subsequent descent on humanity, coupled with an increasingly toxic cultural and political backdrop, Kerrigan’s latest project has the potential to be a welcome and poignant antidote for the ages. It’s a comedy about the rave generation set over a weekend in Cardiff, London and Ibiza. “It’s about everyone coming together as one race – the human race. Eventually, in April 2019, the Cardiff filmmaker formally announced Human Traffic 2, confirming that Dyer, Parkes, and Reynolds would all reprise their roles. Then, in 2016, rumours began to circulate that a sequel was in the works. Revered by partygoers and movie buffs alike, some 20 plus years from its release, the film enjoys cult status amongst its legion of fans.įor years, part two seemed nothing short of an implausible fantasy. Starring John Simm, Lorraine Pilkington, Shaun Parkes, Nicola Reynolds, and a debuting Danny Dyer, Human Traffic was a near-perfect time capsule for the underground dance movement. One of 1999’s surprise success stories, Human Traffic tracked the escapades of five disaffected youngsters as they cross the divide from their workaday realties to the promised land of Cardiff’s ecstasy-fuelled weekend club scene. Human Traffic and his second feature, I Know You Know (2008), were each in their own ways epic emotional, financial, and logistical achievements. The resilient Cardiff-born filmmaker is known for bringing improbable projects to life. Much like its predecessor Kerrigan’s goal is to make an independently funded production to drive what he hopes will be a timely and progressive social narrative. Justin Kerrigan, who wrote and directed the original while in his early 20s, is back at the helm, and seeking to foster crowd support to get his latest project over the line. HUMAN TRAFFIC 2 CONFIRMED, SAYS ORIGINAL DIRECTOR JUSTIN KERRIGAN
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